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One Act

ME LOVE ME

ensemble theatre · be flat productions · Ages 17+ · United States
Tuck is a libertine with a coke addiction and a middling acting career. Gemma is his pill-popping, performance artist girlfriend. When Tuck’s biological clone is released from a lab, the two men embark on a tear of booze, drugs, and clone-sex, leaving Gemma to pick up the pieces and try to move on.
Tuck is a libertine with a coke addiction and a middling acting career. Gemma is his pill-popping, performance artist girlfriend. When Tuck’s biological clone is released from a lab, the two men embark on a tear of booze, drugs, and clone-sex, leaving Gemma to pick up the pieces and try to move on.

IT'S IMPORTANT TO LEAVE, AS WELL (FEED YOUR FRINGE)

ensemble theatre · will play for food theatre group · Ages 17+ · United States
How important is any given moment in your life? Do we recognize the moments that matter most? Using Joseph Campbell’s ‘Hero’s Journey’ we’re creating a new play which attempts to answer these questions. Follow the process online, right up to opening night, at willplayforfoodtg.wordpress.com
How important is any given moment in your life? Do we recognize the moments that matter most? Using Joseph Campbell’s ‘Hero’s Journey’ we’re creating a new play which attempts to answer these questions. Follow the process online, right up to opening night, at willplayforfoodtg.wordpress.com

... AWKWARD PAUSES

ensemble theatre · 3ofakind theatre company · Ages 13+ · United States
SEX...death & cheeseburgers? 3 shows for the price of 1!! 3ofaKind Theatre Company has been developing dynamic original theatre since 2004. This is a sampling of some of our favorite scripts from recent seasons. You can learn more about us by visiting: www.3ofakindtheatre.org
SEX...death & cheeseburgers? 3 shows for the price of 1!! 3ofaKind Theatre Company has been developing dynamic original theatre since 2004. This is a sampling of some of our favorite scripts from recent seasons. You can learn more about us by visiting: www.3ofakindtheatre.org

IF YOU'RE WATCHING THIS, I'M DEAD.

solo performance · hammie street prods. · Ages 16+ · United States
Mom always said "Don't write anything down you don't want others to read." So, I'll just have to tell you instead. Follow along on some weird and true adventures that can only be called art. Written and performed by: Lisa Cole Directed by: Marcela Hawk
Mom always said "Don't write anything down you don't want others to read." So, I'll just have to tell you instead. Follow along on some weird and true adventures that can only be called art. Written and performed by: Lisa Cole Directed by: Marcela Hawk

DADDY DIDN'T DIE, DID HE?

comedy · will matthews & casey christensen · Ages 16+ · United States
Thanks to his oddball mourners, Daddy's funeral is running way behind schedule and it's up to one overwhelmed undertaker to get it back on track in this farcical one-act written and performed by Will Matthews (Punk'd) & Casey Christensen (Chelsea Lately). Directed by Jeffrey Addiss (The Majestic).
Thanks to his oddball mourners, Daddy's funeral is running way behind schedule and it's up to one overwhelmed undertaker to get it back on track in this farcical one-act written and performed by Will Matthews (Punk'd) & Casey Christensen (Chelsea Lately). Directed by Jeffrey Addiss (The Majestic).

IAMAFEST 2013

ensemble theatre · iama theatre company · Ages 16+ · United States
IAMAFest is an festival of new one-acts and premieres, featuring both known, established talent and new, emerging voices. Featuring BELA LUGOSI IS DEAD by Jim Macdonald, SINGLE by Ivana Shein, WHAT A PILL by Chiara Atik, and MONTANA by Louise Munson.
IAMAFest is an festival of new one-acts and premieres, featuring both known, established talent and new, emerging voices. Featuring BELA LUGOSI IS DEAD by Jim Macdonald, SINGLE by Ivana Shein, WHAT A PILL by Chiara Atik, and MONTANA by Louise Munson.

LOVE ACTUALLY ISN'T

ensemble theatre · dan johnson · Ages 16+ · United States
Love Actually Isn't is a collection of four one-act plays about love, doubt, closure and compromise. These plays are a funny, sad, and clear-eyed exploration of love that fell apart, love that never happened, and love that's just around every corner.
Love Actually Isn't is a collection of four one-act plays about love, doubt, closure and compromise. These plays are a funny, sad, and clear-eyed exploration of love that fell apart, love that never happened, and love that's just around every corner.

FATHERS AT A GAME

ensemble theatre · moving arts · Ages 17+ · United States
In Trey Nichols' explosive one-act play, fantasy and reality collide with deadly force. Moe and Eddie are buddies watching their sons playing football...or are they? Something weird is gurgling underneath this portrait of the American Dream. Be careful which side you root for.
In Trey Nichols' explosive one-act play, fantasy and reality collide with deadly force. Moe and Eddie are buddies watching their sons playing football...or are they? Something weird is gurgling underneath this portrait of the American Dream. Be careful which side you root for.

THE THIRD DATE

comedy · stunt orange productions · Ages 18+ · United States
Evan and Allie have made it to their 3rd date. A momentous occasion fraught with great expectations. Prepare for none of them to be met as their imagination takes over revealing each other's ex...and they have a lot to say. A hilariously awkward one-act by Deborah Gross. Directed by Doug Hannah.
Evan and Allie have made it to their 3rd date. A momentous occasion fraught with great expectations. Prepare for none of them to be met as their imagination takes over revealing each other's ex...and they have a lot to say. A hilariously awkward one-act by Deborah Gross. Directed by Doug Hannah.

KILL A BETTER MOUSETRAP

comedy · lanny panlock productions · Ages 14+ · United States
Miles Merbinau aims--with good reason, he believes, and at any cost--to shut down the world's longest-running play, Agatha Christie's THE MOUSETRAP. Merbinau's frustrations, wild theories, and ruminations on the contrariness of success set the stage for this one-act comedy by Scott K. Ratner.
Miles Merbinau aims--with good reason, he believes, and at any cost--to shut down the world's longest-running play, Agatha Christie's THE MOUSETRAP. Merbinau's frustrations, wild theories, and ruminations on the contrariness of success set the stage for this one-act comedy by Scott K. Ratner.