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NOAH NELSON
certified reviewer
June 19, 2016
This is a kinky, driven, sandbox-style SRO piece made for a black box theatre. Director Angela Lopez and her core collaborators Kyle Johnston (Ghost), Angel Correa (Hamlet), and Emily Josephine (Ophelia/Elektra) have conjured forth a wicked hour that pulls in smart immersive techniques in service of a piece that mixes physical theatre with sharp, un-cloying agitprop. They even make giving permission to the audience to keep their cellphones out and documenting into something far more than a damn marketing gimmick. It becomes essential....
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KAT MICHELS
certified reviewer
June 23, 2016
Upon leaving “I was Hamlet” I had one prevailing thought - I had no idea what I had just seen. However, as this is a physical adaptation of Heiner Muller’s “Hamletmachine” and I had much the same reaction after I read “Hamletmachine” in college, I find that reaction highly fitting. This play, experience is a better word, is free-form, visceral and interactive. Actually interactive is an understatement. There are no chairs, the audience stands or sits and the performers move in and out of the people. The audience is encouraged to move in the space and interact. The cast was really fantastic about subtly clearing the way whenever there was about to be something big or particular violent, so there was no fear of getting in the way.
For as d...
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